1. Creating strong dance films
Instruction by Kelly Hargraves Dance Film is an introductory course for dance/movement and film artists interested in making dance for the screen. Participants will learn the theory and best practices for making screen dance, in addition to delving into the history of the genre. It is designed to support participants in how they approach, capture and situate their movement off the stage.. Participants will view notable screen dances, explore creating movement for the frame, and how to create meaningful dance through the use of film techniques such as shot choices, locations, editing, scripting and storyboarding, improvisation and more. Participants will also receive one on one mentoring if requested. There are no equipment requirements
2. Dance Improvisation for Digital Environments
Performers will be able to explore varying approaches to the use of dance improvisation in new media environments in live dance performance for stage, on screen, in site specific installation, and for movement research. Participants will develop a movement research practice that envisions digital futures in the field of dance performance.
Dance Improvisation for Digital Environments is a 3 day workshop. Each day we will explore a different theme through movement, camera, and screen. Each participant must bring their own phone with a video editing software app to each workshop. Every workshop will culminate daily in a recorded or livestreaming performance on Jhalak Dance Company’s Instagram site.
Day One Studio: The Body in Motion and the Camera Frame How can a phone camera in the hands of a dancer affect movement composition choices and decision making in performance? Day one explores dance improvisation and the body in motion activities that create awareness and sensitivity for embodied movement communication across time and space on the screen. Participants will gain a better understanding of the body potential in movement, and, create short digital screen dances of these experiences using their digital devices for movement research.
Day Two Outdoors and Different Tanks: Site Specific Performance for Virtual Broadcast In this dance improvisation workshop we will focus on the free form, dancing and extending it into shaping and embrace, for live stream virtual performance broadcast within diverse site specific architectural settings at the Culture Tank. The workshop will continue to dive more deeply into the embodied movement practices established on Day One and take place outdoors and in various tanks. Participants will explore changing and evolving movement patterns in diverse landscapes. Dancers must wear athletic shoes for dancing on stone surfaces and a red outfit.
Day Three Studio: Exploring Dance Improvisation with Visual Art Projections Returning to the dance studio for day three, this workshop expands our themes of the body and digital environments to include a study of movement improvisation in relation to projected digital visual art paintings. With a fresh mindset, we will explore improvisational dance composition inspired by abstraction in line and form. Participants may select to bring an image of their favorite visual art painting on their phones for airdrop sharing into a collective visual projection for live dance performance.
****** *Space Requirements Note: Day One and Day Three require a flat surface with Marley floor for dancing and a large projection screen with projector to plug a computer into for live dance capture and interactivity.
*Space Requirements Note: Day Two can take place outside but it would be good if we can move around various tanks and possibly visit one or two inside.
Kara Jhalak Miller
카라밀러/미국하와이주립대학교수
Kara Jhalak Miller is a Professor of Dance at the University of Hawai'i at Mānoa. For over 30 years, Jhalak has performed and collaborated with dancers, creating live performances, dance installations, and films internationally. Her dances and theatrical works have been commissioned and presented in North and South America, Europe, Asia, and the Pacific. She is the Artistic Director and Choreographer for Jhalak Dance Company. Jhalak is the recipient of the Jacob K. Javits Arts Fellowship, National Endowment for the Arts Award, MAP Fund Award, CALIT2 Dance New Media Performance Residency, and the Hawai‘i Po‘okela Award for Choreography.
Dagneaux Virgile/ Lericolais Camille (Marécage) - France
다그눅스 버질/ 르리콜레스 카밀 (마르케이지 무용단) - 프랑스
Camille and Virgile got both a solid contemporary background. Coming more from Jazz for Camille and from Breakdance for Virgile.
Camille works with Michèle Murray, François Rascalou, Gianluca Girolami, Kirsten Debrock and more. A powerfull and sensitive artist her strong technic make her confident improvising.
Virgile works mostly with Kader Atou and he is the Director and choreographer of Virgule, a contemporary/hip hip company
Camille와 Virgile은 단단한 현대춤장르의 배경을 가지고 있다. 각각 재즈와 브레이킹 댄스장르에서 특히 더 두각을 나타내고있다.
Camille은 Michele Murray, François Rascalou, Gianluca Girolami, Kirsten Debrock 등과 함께 작업하며, 강력하고 섬세한 예술가로써 그녀의 강력한 테크닉으로 자신감 넘치는 즉흥 연주를 이끌어낸다.
Virgile은 주로 Kader Atou와 작업하며 컨템포러리/힙합 무용단 Virgule의 안무가이자 예술감독이다.
Tricha Benjamin (Marécage) - France
트리샤 벤자민 (마르케이지 무용단) - 프랑스
His career started from being a break dancer in 1998.
He had trained for 2 years in Epse Danse Anne Marie Porras in 2006.
His work has been inspired by 4 different dance companies.
Groupe Tango Sumo, which is dedicated to the street festival, has a really hard physics dance.
Jam Art, a Greek choreographer playing between dance and theater, digging in expression of the face and character to play.
(Reve)² who was a circus company where I was dancing and choreographer, bodies with amazing circus techniques where I’ve been bringing softness.
Lonely Circus where I’m a performer the material is stones and for guys facing this hard noisy cold material.
He founded Marécage in 2018 with two duet Kairos & Interlude(s) Talking about the relation between two people, two bodies, two souls.
그는 1998년에 브레이크댄스를 시작으로 무용을 시작했다. 그는 2006년에 Epse Danse Anne Marie Porras에서 22년간 트레이닝을 받았다. 그의 작품은 총 4개의 각기 다른 무용단에서 영향을 받았다.
첫 번째는 거리 축제에 헌신하는 물리적으로 역동적인 Groupe Tango Sumo 무용단이고, 두 번째는 얼굴의 표현과 인간의 캐릭터를 깊게 파고들어 춤과 연극을 넘나드는 그리스 안무가가 이끄는 Jam Art, 놀라운 서커스의 테크닉으로부터 부드러움을 가져올 수 있었으며 그가 직접 공연자로도 뛰었던 서커스 무용단 (Reve)², 마지막으로는 돌을 재료로 삼는 Lonely 서커스단이다. 그는 마침내 2018년 마르케이지 무용단을 설립하였으며, 그는 초연으로 두 사람, 두 개의 몸 그리고 두 개의 영혼의 관계에 관한 작품 2가지(듀엣 형식) <Kairos>와 <Interlude(s)>을 발표했다.
2. Contemporary Modern - Dance Technique (컨템포러리 모던 - 댄스 테크닉)
1)
The class begins with aligning body mind soul with a specific focus and intention given for each individual class.
A center warm up designed from a classical approach to dance through various exercises to bring the fundamentals back to body.
Starting from simpler straight lines the class progresses into circular and more complex spiraling motions.
After a short series of off-centered turns, extensions and jumps company repertoire is taught at the end with an emphasis on expression and performance quality.
수업은 각 개별 수업에 주어진 특정 초점과 의도에 몸, 마음 그리고 영혼을 하나로 정돈하면서 시작된다.
센터 움직임에서 우리의 몸을 가장 기초로 되돌아가는 것을 그 목표로 삼아 고전적 접근방식으로 다가간 다양한 움직임을 디자인하여 워밍업한다.
워밍업 후, 수업은 단순한 직선에서 시작하여 나아가 원형, 더 복잡한 나선형 동작으로 진행되어진다.
중심에서 벗어난 짧은 일련의 회전, 신전 그리고 점프후에 표현과 질적인 퍼폼에 중점을 두어, 무용단 레퍼토리를 배워가는 시간을 마지막으로 워크숍은 종료된다.
시간 및 장소 (총 3회)
7/6(Wed) 10:30 ~ 12:30(T4)
7/7(Thu) 10:30 ~ 12:30(T6-원형회의실)
7/8(Fri) 10:30 ~ 12:30(T4)
Seda Aybay (Kybele Dance Theater) – USA
세다 아이배이(키블리 무용단) - 미국
Seda Aybay is the Founder/Artistic Director/Choreographer of KDT.
Since emigrating from Istanbul she has won multiple awards for her choreography for both her company and independently.
Aybay was awarded the Marcus Residency at Washington University in St. Louis, the New Movement Residency at USC and invited to teach masterclasses at prestigious Schools in LA as well as NYU Tisch School of the Arts.
Aybay is an Adjunct Professor and choreographer at Santa Monica College while coaching and creating contemporary Pieces YAGP and other renowned international programs for the pre-professional youth.
Aybay was named a 2019 LA Cultural Ambassador and guest choreographer of the LADF.
Seda Aybay는 키블리 무용단의 안무가, 예술감독이자 설립자이다.
그녀는 St. Louis의 Washington University에서 Marcus Residency, USC에서 New Movement Residency를 수상했으며 NYU Tisch School of the Arts뿐만 아니라 LA의 명문 학교에서 마스터 클래스를 가르쳤다.
Aybay는 Santa Monica College의 겸임 교수이자 안무가이며 YAGP에서 현대 작품을 안무 하였으며, 예비 청소년을 위한 기타 유명한 국제 프로그램을 지도하고 제작하고, 2019 LA 문화 대사로 선정되었으며 로스엔젤레스 댄스 페스티벌 초청안무가로 활약중이다.
2)
An exploration of the merging of classic modern movement carving space and contemporary textures of time and space.
All influenced by thoughtful resonance of human emotions, relationships to place and others.
Moving from air to ground as we explore the levels of the human experience through multiple dance concepts and changing speed dynamics.
공간을 조각하는 고전적 움직임과 시간과 공간의 현대적 질감의 만남을 탐구한다.
모든 움직임은 인간 감정의 사려깊은 울림과 장소와 다른것들의 관계에 의해 영향을 받는다.
수 많은 움직임 개념과 속도의 다이내믹함을 통한 인간 경험의 레벨을 탐구하면서 공중에서부터 바닥까지 움직인다.
시간 및 장소 (총 2회)
7/9(Sat) 13:30 ~ 16:00(T6-원형회의실)
7/10(Sun) 10:30 ~ 12:30(T6-원형회의실)
Deborah Brockus (BrockusRED Dance Company) - USA
데보라 브로커스(브로커스 레드 무용단) - 미국
Artistic Director of Brokers Red Dance Company
Operation supervisor of BPstudios
General supervisor of the Los Angeles Dance Festival (planing)
General supervisor Los Angeles Fringe Dance Festival (planing)
브로커스 레드 무용단 예술감독
BPstudios의 운영감독
Los Angeles 댄스 페스티벌 총괄 기획
Los Angeles 프린지 댄스 페스티벌 총괄 기획
Young Ho, Nam (Coree-Graphie Dance Company) - France
남영호(코레그라피 무용단) - 프랑스
Dancer (residence in France from 1990), 1992-1998; Worked as a dancer in the Zakitapanel Dance Company in Montpellier, France.
2000-2006: Performed as a dancer in the French Susan Jersey Dance Company, 1999; Co-representative of Mom-Jit dance theater (5 works).
2007 to present; The representative of the Coree-Graphie Dance Company, Invited to the Montpellier Dance Festival, New York Dumbo Festival, Florence Italy Fabrica Europa Festival, Morocco Marrakech Dance Festival, etc.
Acquired the French national exam dance teacher certificate in 2013, Artistic director of Corée d'ici Festival since 2015.
재불무용가(1990년 도불), 1992-1998년; 프랑스 몽팰리에 자키타파넬 무용단 무용수로 활동.
2000-2006년: 프랑스 수잔 저지 무용단 무용수로 활동 , 1999년 ; 몸짓 무용단 공동대표( 5작품)
2007년부터 현재 ;코레그라피 무용단 대표, 몽펠리에 춤 페스티벌 초청, 뉴욕 덤보 페스티벌, 이태리 피렌체 Fabrica Europa 페스티벌, 모로코 마라케쉬 춤 페스티벌 등 초청,
2013년 프랑스 국가고시 교사 자격증 취득(무용), 2015년부터 코레디시 페스티벌 예술감독.
Claire Filmon (Cie ASPHODELE) - France
클레어 필몬 (아스포델레 무용단) - 프랑스
International Improvisation Artist, Dancer, Educator
A dancer who embodies the improvisation method of Simon Forti, a world-famous Improv dancer
Collaborating with Postmodern Improv artist Nancy Stark Smith, Lisa Lesson
Invited choreographer for the opening performance of the Poitiers Festival in France
Artistic Director of the asphodele dance company
Founding member of the ING Improv group
Guest Artist of the À Corps Festival in France
Artistic director of the <Aspjodele Danses Envol>
국제적인 즉흥 예술가, 무용수, 교육가
세계적인 즉흥 무용가인 시몬포티의 즉흥 메소드를 구현하는 무용수
포스트 모던 즉흥예술가 낸시스타크 스미스, 리사레슨 협업 예술가
프랑스 푸와티에 축제 오프닝 공연 초청 안무가
Asphodele 무용단 예술감독
ING 즉흥 그룹 창단 구성원
프랑스 페스티벌 아콥스 초청 예술가
<Aspjodele Danses Envol> 예술감독
Deborah Brockus (BrockusRED Dance Company) - USA
데보라 브로커스(브로커스 레드 무용단) - 미국
Artistic Director of Brokers Red Dance Company
Operation supervisor of BPstudios
General supervisor of the Los Angeles Dance Festival (planing)
General supervisor Los Angeles Fringe Dance Festival (planing)
브로커스 레드 무용단 예술감독
BPstudios의 운영감독
Los Angeles 댄스 페스티벌 총괄 기획
Los Angeles 프린지 댄스 페스티벌 총괄 기획